FIRST PAGES STORY FOUR

So this is another oldie I wrote in 2016, funnily enough, still haven’t pitched it anywhere. Eric wanted a story like this, I said I could do it and voila

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FIRST PAGES STORY 3

Okay so this one is different, there’s a bit of pidgin (a lot actually) and that’s a problem because it’s not standardized (spelling and all that) and secondly the style switches up from locale to locale in Nigeria, as always enjoy, let me know what you think

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FIRST PAGES STORY TWO

Hey people, so here’s another instalment of FIRST PAGES; that thing I do where I put up the first pages of a screenplay I wrote, could be spec, could be stuff that’s actually been made, could be stuff I’m trying to make.

As usual, check this one out and let me know what exactly you think of it.

I’m still trying to sort out the kinks of making it appear on the web in the same formatting one would see it on screenwriting software or an exported pdf file so please bear with me if in the process there’s a couple typos or formatting inconsistencies, enjoy

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FIRST PAGES STORY ONE

So ever so often, I’ll post on here a bit of a story, actually the first pages of a script I’ve written or I’m currently writing. They could be spec scripts or otherwise.

This is the first in a series of many I’d be uploading on here so do enjoy.

Also there’d be no titles, but comments are most assuredly welcome.

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COLOR GRADING FOR THAT FILM LOOK

via The Complete Color Grading Tutorial: Cinematic Film Look — Filmmaker’s Memory

 

So I’ve been going nuts recently about color grading and while most times my tools are nothing but the levels, fast color corrector and RGB curves and such stock effects and tweaks available on premiere pro, and of course, LUMETRI. It wouldn’t hurt to get to know these other effects and how to use them appropriately, don’t thank me, thank Filmmaker’s Memory credited above.

WE HIT THE JACKPOT 

So it’s been silent on here for a bit,   but we’ve been working regardless,  and real hard too (that last part is overcompensating for all the fun we had this year,  he he). 

And so without much ado we present to you,  Jackpot as created and directed by the man Ag Etefia and written by none other than Nneka,  and materialized into glorious reality by us. (I’m not even sure what that means but it was supposed to sound sensational) we’re on to other things even as the year winds down because we work like that,  so stay tuned and holler at us,  we’d love to work with you next. 

NOT A REVIEW: WHAT BOVI’S “IT’S HER DAY” GETS RIGHT

What Did This movie get Right?

Infact, have you seen this movie sef? 😕

Can you form an opinion about a movie after just seeing it once? Well yes. Even if you were distracted or didn’t see it all the way through, you can have an opinion about the part of the film you were able to watch. Ideally if it were a film with screeners I’d probably watch it more than once, for multiple reasons, an edit or cut I like, a CGI effect I want to watch over and over until I can make out the individual elements and start thinking of replicating it or how it doesn’t hold up to inspection over multiple views. But then again I’m Pixelmorph, it’s my line of work, and as much as I try to be entertained by movies there will always be a part of me, learning, searching, questioning, seeking to understand.

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